SELECTED works
Feel free to get in touch or head to the Australian Music Centre to view scores.
Orchestral
2023 THE HORROR OF THE AVANT GARDE(S), concerto for piano, percussion and large ensemble (35’)
Premiered at Chapter House, Narrm/MEL, 17/8/23
2022 you are meadow, for orchestra (10')
Premiered by the Melbourne Symphony Orchestra, Deakin Edge, Federation Square, Narrm/MEL, 28/1/23
2020 Delayed Forces, for orchestra (8’)
Premiered by University of Melbourne Symphony Orchestra, Kenneth Myer Auditorium, Narrm/MEL, 7/5/21
2017 The Great Unrest, for chamber orchestra (10’)
Premiered by Ensemble Nouveau, University of Sydney, 26/4/17
2017 Mount Analogue, for chamber orchestra (9’30”)
Premiered by the Australian Youth Orchestra, tutor ensemble, Elder Hall, University of Adelaide, 20/1/17
Ballet
2022 Storm Approaching Wangi and Other Desires, for two channel audio, solo contrabass guitar and percussion (c. 52’)
Premiered at MAP mima, Lake Macquarie, NSW, 11/11/22
Chamber/Ensemble
2023 WATER. RUINS. EVERYTHING. (or, the quaking zone), for for flute, clarinet, trumpet, trombone, violin, viola, cello.
Upcoming premiere on 7 Dec 2023 at Iwaki Auditorium, Melbourne Symphony Orchestra Academy.
2020 Moon Chant, for 11 percussionists (6’). Premiere cancelled due to Covid-19
2019 Jouska: A Psychodrama In Three Acts
for mezzo-soprano, flute, trumpet, tenor saxophone, accordion, violin, double bass (21’)
Premiered by The Music Box Project at Bendigo Internatonal Festival of Exploratory Music, VIC, 7/9/19
2019 The String Quartet Project, movements I and II, for string quartet (11’)
Premiered by Flinders Quartet, Library at The Dock, Docklands, VIC, 22/6/19
2019 The String Quartet Project, movement III, for string quartet (8’)
Premiered by Geist Quartet, Jewish Museum, SYD, 24/9/19
2019 Romantic Foam, collaborative composition with The Opera Company (40’)
Premiered at 107 Projects, Redfern, SYD, 19/6/19
2017 Descent, for soprano, alto flute, harp, celesta, piano, violin, viola, violoncello (7’).
Premiered at Sydney Conservatorium of Music
2016 Leviticus, for SATBB, piccolo, flute, tenor saxophone, organ and percussionist (7').
Premiered at Sydney Conservatorium of Music
2016 The Weathermaker, for flute, tenor saxophone, trumpet, violin and bass guitar (6’)
Premiered by The Music Box Project at Backstage Music, SYD, 19/8/16
2016 NON, for viola, cello and double bass (7’). Commissioned by ZOV trio, NED
Solo Instrumental
2023 a thousand tiny mutinies, for solo contrabass guitar and artefacts (33’)
Releases 5 March, 2024 through Nice Music.
2021 (A)Biotic Forces, for solo guitar and foot percussion (12')
Premiered by Thomas Stewart-Toner for the MCM Guitar Perspectives series, 10/12/21
2021 Study #1 (2021), for solo bass guitar. Composed as repertoire for the VCE bass guitar syllabus.
2019 Ataraxia, for violin and piano (12’)
Premiered by Kat Tsyrlin (violin) and Danaë Killian (piano), Melbourne Composer's League Elbow Room Concert, Saint Peter’s Anglican Church, 10/4/21
2016 Inshallah, for solo marimba (4’). Recorded by Claire Edwards.
2016 Minimum Optimum, for soprano voice and trumpet (7’)
Premiered by Tina Stefanou and Joseph Lisk, Sydney Conservatorium of Music.
2015 Initiations, for nylon-string contrabass and viola (18’)
Collaborative composition and recording with Maya Felixbrodt
Electro-Acoustic
2019 Estranged, fixed media and solo contrabass guitar (6’)
2016 All Thing Must Fall Into Ruin, audio-visual installation (3’). Exhibited at Blue House Exhibition, SYD, 14/7/16
selected FILM soundtracks
2023 Left / Write / Hook (90’)
Forthcoming feature-length documentary, directed by Shannon Owen
2020 Mourning Country (8’), directed by Andrew Kaineder
2018 Beyond The Noise (28’), directed by Andrew Kaineder
2016 Far North (2016), directed by Ben Player (sound design)
2016 MAR (10’), directed by Andrew Kaineder
2014 SKIN (15’), directed by Liselle Mei, co-composed with Basil Hogios
selected text
2023 A concerto, a horror, and the avant-garde. Reflections on a work that I haven't yet heard.
Article for the Australian Music Centre
2021 Album review: Solo Guitar I by Alexander Garsden.
Loudmouth, Music Trust Zine
ADSR Zine 013
2020 Blobs, Buzz and Rapid Patterning: Intra-active Tools for Composition, Improvisation and Analysis
Honours Thesis
2019 Between What’s Written and What Actually Is.
ADSR Zine 003